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Magic Town and Architecture Century XVII
Page 3 of 4
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An
extraordinary wooden screen, carved, lathed and inlaid with bone and various
woods, a technique known as marquetry, is located at the entrance to the
vestibule of the Domestic Chapel. The latter was built in 1604 and remodeled
in the XVIII century, and was destined exclusively for the use of the
school’s residents, particularly novices, hence its name. The Chapel had a
luminous and festive environment that would motivate the vocation of novices
and the various young disciples of the school towards the ideals of the
Jesuit community.
The Chapel’s lateral walls are decorated with various gilded and painted
sculptures of saints, angels and virgins. Facing the altar and to the left,
a sculpture of the Virgin of Dolores and two altarpieces stand out. One of
these altarpieces dates to the XVII century and is dedicated to the Virgin
of Guadalupe, while the other can be dated to the XVIII century and has
niches for images and relics. To the right stands an image of San José,
the
patron saint of New Spain.
There is a remarkable baroque altarpiece in the presbytery; it is of the
estipite type, already in use during the XVIII century. A lateral niche in
the presbytery holds a carved wooden image of a praying man representing Mr.
Pedro Ruíz de Ahumada, a benefactor of the Jesuits at Tepotzotlán, who, in
1604, donated 34 thousand pesos
for
the construction and maintenance of the school.
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Tepotzotlán
The former
monastery contains a vast number of paintings and wooden sculptures, as well
as ivory, lacquerware, gold and silverware, pottery, religious ornaments,
and weapons and armor from the colonial period.
In addition to the church of St.
Francis Xavier, the complex includes several chapels and cloisters, or
patios as well as an orchard that takes one back into the past, into the
atmosphere of the viceroyalty while at the same time, providing a space for
contemplation and reflection
Source: Tips Aeroméxico
# 19 State of Mexico / spring 2001
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